In the world of jazz improvisation, one composition from 1960 stands as a rite of passage, a final exam of harmonic navigation. The composition is defined by its relentless pace and constant, jarring jumps between distant tonal centers. These "changes" represent a beautiful and formidable challenge. To master it is a mark of true dedication to the craft.
This design is an abstract translation of that complex energy. The typographic form is arranged in a triangle, a visual metaphor for the composition's three primary key centers, separated by major thirds. The multi-color offset effect represents the dense, vibrant harmony, while the perspective creates an illusion of perpetual motion. It is a tribute to the "busy but structured" feeling of the piece, an artifact for those who have spent hours wrestling with its beautiful, unforgiving logic.
